Advertised as a "non-fiction novel," a new one on me, this exquisite little gem of a book is melancholy yet hopeful, sad and funny and smart. Narrated by J, a woman at that precarious stage between youth and old age, who is wondering as the song goes, "should I stay or should I go?" From the floor to ceiling windows of her Miami high rise, she watches the toned bodies, the immoveable breasts, and the worked over faces of the women on the make and asks herself if it's worth it. Should she stay in the dating game or relinquish it for her literary pursuits.
J is a scholar of Ovid, as is the author. She is translating "The Metamorphoses," while pondering her own transition from the lush, sexual being she thinks she still is, to a woman who's given up on love. She reminisces about past affairs and a long, infertile marriage, and fantasizes about the toned young men who strut their stuff on the beaches and around the pools. When J is in the water she feels replenished, supple, lighter, more desirable, but ironically, the pool is in disrepair and about to be shut down indefinitely.
Living alone, J is curious about the comings and goings of some of her neighbors and they, in turn, are interested in her, especially N, the woman who beats J to the pool each morning and then disappears for the rest of the day in a whirl of mystery. N and her husband invite J for drinks. They want to know her better, whether she's contented with her life, with just Ovid and her old cat, or if she needs and expects more out of life.
This is not a novel for the impatient reader. This book reminds me of a good foreign film, contemplative and interior. It tantalizes and yes, it titillates. Alison has written a gorgeous meditation on life, on aging, on embracing what's offered and accepting that which we just may not be able to have.
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